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Deathstar was recorded and mixed in analog at JJ-studio with Juuso Nordlund and comes swathed in the art of Jan Yrlund, based on the painting Strangled by Minna Mead. Elaborates Jämsä, “Deathstar will be an interesting experience for those who listen to music with an open mind. We’ve not forgotten our roots of old-school death metal, but for me, it’s very natural to evolve musically and write music free of any boundaries. You can perhaps hear some echoes from the Reflections album. We recorded Deathstar during the Summer/Fall of 2019 in the same twenty-four-track reel-to-reel analog studio with the same producer as the Evil Prevails album back in 2013 (JJ-studio/Juuso Nordlund). The sound of the album is timeless. It will be difficult to figure out which decade it has been written and recorded. We wrote and rehearsed the album material for almost three years.”

Deathstar finds the band at their most ambitious. A very different band than the one that marched in the first wave decades ago, as the only real holdover of their original sound is the iconic deep grunts of Rami Jämsä. Their ability to bridge the gap between hard rock grooves and airy melodic sections drenched in atmosphere is nothing short of astounding, and even experienced ears will find some new twists and turns to marvel at. Their influences are numerous; their sound varied. Deathstar will take its listeners on a soothing journey to beautiful and unknown places whose nuance and depth will make parting a sweet sorrow and each return all the more rewarding. [words by Luxi Lahtinen]
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